Endgame
- written by Samuel Beckett in 1957
- translated in English in 1958 (several differences: title, scene where Clov spots the young boy)
- critiqued as a play where nothing happens once
- as opposed to Waiting for Godot, a play where nothing happens twice
- sense of despair: characters are not waiting for anything other than death
- Author
- Beckett was born in Foxrock, Ireland, in 1906; moved to Paris after graduated from college
- during WWII, joined the French Resistance and fled from the Nazis; hid in a village in Southern France with his girlfriend for over two years
- gained his own renown with his theatrical masterpiece --- Attendant en Godot --- was staged in Paris in 1953
- Character List
- Hamm: a blind man who is no longer able to walk; in charge of the shelter where all four characters are trapped; seems to be Clov's master or father; links with Clov as a "pair", if one of them leaves, the other will die
- Clov: serves as Hamm's menial, son, or beast; paired with Hamm because he can see and stand, whereas Hamm is blind and must sit
- Nagg: Hamm's father, lives in an ashcan; paired with his wife Nell
- Nell: Hamm's mother, lives in ashcan which is situated next to Nagg's can, but very far apart
- Theme
- Emptiness and Loneliness
- constant tension in the play: whether Clov will leave Hamm or not; he threatens to and does sometimes, but he is never able to make a clean break; Hamm continually tells Clov to leave him alone but pulls him back before an exist is possible
- both wonder why they stay with each other, but both give reasons for why they put up wit each other; they are the consolation for each other's empty lives which filled with unyielding pain
- Beckett has compared Hamm and Clov's tense co-dependency to his own relationship with his wife: both wanted to leave the other, but were afraid to
- Theatre of the Absurd
- minimal use of language, minimalist use of setting, self-consciousness of characters, nothing happens ~> absurdism
- views life as meaningless and beyond human rationality to understand, which is a sentiment to which Endgame subscribes, with its conception of circularity and non-meaning
- combines tragedy and comedy in new ways: Winnie says, "Nothing is funnier than unhappiness"

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